Monday, December 26, 2016
Monday, October 24, 2016
Book Talk at the North Highlands-Antelope Public Library
Last year I did this event at the Rancho Cordova Library. It was pretty cool. A bunch of people showed up, some whom I've never met, and many friends from the community.
My book, El Tiburon, is set in Antigua, Guatemala. Before I wrote the book Joe and I went there for a month for language school. I was won over by the people and the history. After a month I had a good feel for the town's layout and the daily vibe. We were there during Semana Santa (Easter Week), which I used for several scenes. We returned for another month of language school and to be the Godparents for our Godson's wedding. That was a great event for us. We were able to be part of the community. We still stood out like sore thumbs, but it was really great. (Check out my travel blog; A Dashing Bold Adventure in November 2009 & August 2013).
I will bring textiles, photos of the city inside the garbage dump, and various items. I will also bring books for you to purchase IF you want to, but I would love it if you came to this event even if you already have El Tiburon. I will also be donating a book to the library.
I also want to remind my audio-readers that El Tiburon was released back in August. Let me know if you would like to review it and I'll get you a copy. I only have a couple of free copies, so make sure you get in touch with me.
My book, El Tiburon, is set in Antigua, Guatemala. Before I wrote the book Joe and I went there for a month for language school. I was won over by the people and the history. After a month I had a good feel for the town's layout and the daily vibe. We were there during Semana Santa (Easter Week), which I used for several scenes. We returned for another month of language school and to be the Godparents for our Godson's wedding. That was a great event for us. We were able to be part of the community. We still stood out like sore thumbs, but it was really great. (Check out my travel blog; A Dashing Bold Adventure in November 2009 & August 2013).
I will bring textiles, photos of the city inside the garbage dump, and various items. I will also bring books for you to purchase IF you want to, but I would love it if you came to this event even if you already have El Tiburon. I will also be donating a book to the library.
I also want to remind my audio-readers that El Tiburon was released back in August. Let me know if you would like to review it and I'll get you a copy. I only have a couple of free copies, so make sure you get in touch with me.
Thursday, September 8, 2016
5 Copies of El Tiburon for Free
WOO-HOO !!!!
I can't tell you how excited I am... well actually I can because I'm a writer :) My publishing company, Vinspire Publishing, has just now started a promotional for El Tiburon.
To get signed up for the giveaway just go to the website and follow the directions... Here's the link to make it easier for you:
Vinspire Publishing
I can't tell you how excited I am... well actually I can because I'm a writer :) My publishing company, Vinspire Publishing, has just now started a promotional for El Tiburon.
To get signed up for the giveaway just go to the website and follow the directions... Here's the link to make it easier for you:
Vinspire Publishing
Wednesday, September 7, 2016
H. Schussman interviews Jim Foster, Voice Over Artist
Heidi:
First, Jim, tell us a little about yourself.
Jim: Hmm… how much
autobiography do you want? I’m 48, married to my wonderful wife Joellen, have five
energetic kids (three girls, two boys) aged from 11 years to 2.
I live in Wamego, Kansas;
home of the world-famous Wizard of Oz museum. I was born and raised in Kansas
City. Though I’ve lived in Kansas most of my life, I have lived overseas for a
few years, and traveled in Europe and much of the US.
Heidi: What made you decide
to become an Audio-Book Voice Over?
Jim: I’ve often been told I
have a face for radio. ☺ Seriously, I’ve been
encouraged to do so by many over the years. Two folks’ opinions carried enough
weight to actually push me forward: a pro audio engineer; and a co-worker who
listens to audiobooks regularly. I ran across the ACX web site, and that gave
me a place to start. I need to give a shout out to Brian Coles, a friend of
mine who believed in me enough to provide gratis tuition for that first VO
class.
Heidi: What genre do you
prefer to work with?
Jim: I’m not sure yet. When
I first started auditioning, I went mostly for non-fiction, thinking that would
be a more natural fit. However the first two books I’ve done (one of which is
El Tiburon) were both fiction. I’d still like to do some non-fiction, but I’ve
found with fiction getting inside the characters and voicing them is a lot of fun.
Heidi: When did you start
voice acting?
Jim: I’ve been involved in
community and church drama productions for years, and done occasional VO work
for friends and inside communications at my job.
I first started soliciting
work about two years ago. When I decided to get serious, I signed up for training
classes I’ve taken a couple from Bill De Wees (a talented VO and great
teacher). For audiobooks specifically, I took the ACX Master Class with David
H. Lawrence XVII and Dan O’Day.
Heidi: What are you working
on now?
Jim: I’m just about to
start The Ghostwalker File by Kevin Robinson, a contemporary novel. In the
meantime, I do regular short-form voiceover work of Fiverr (e.g. podcast
intros, explainer video VO, phone videos.) There’s also a full-time day job,
and another side business as a gunsmith and armorer for the local police
department. Add the large family, and I’m always working on something...
Heidi: Do you see yourself
in any of the characters?
Jim: To give justice to
each, I try not to identify with any one in particular. What I do is give each
a physical place in my head. Sean was to my right forward, kind of leaning out
the side. Gary was just to the left, and forward; Sport was center, just a
little back. By giving them each a spot to “sit”, it made it easier to hold
long conversations with myself.
Heidi: Where do you record?
Describe your studio.
Jim: In all truth, it’s a
just a walk-in closet off our master bath. It’s isolated with sound-deadening
curtains; the clothes in the closet are the remainder of the sound treatment.
Acoustically, it’s delightfully neutral, but it is a long way from being
soundproof. As such, I record after about 9 pm, when kids are in bed, and my
neighbors aren’t mowing lawns or driving about. My long-suffering wife gets
banished to the family room in the basement.
The recording equipment is
a mic, a monitor attached to the wall, and cords running to a laptop kept
outside the recording space.
We’re in an age where
advances in technology have replaced the need for a lot of specialized
equipment in audio recording. It’s revolutionary.
Heidi: Do you practice
outside of the recording studio?
Jim: Reading stories to my
kids, for one. I work on building specific voices for characters. I also take
webinars on performance as income permits. I’m saving up for one-on-one pro
coaching.
In addition, I spend time
taking classes and practicing editing techniques and audio sweetening. Making
money as an independent narrator requires producing a high-quality product as
efficiently as possible, both in performance and in post-processing.
Heidi: Who are your
all-time favorite authors?
Jim: That’s a very difficult one. I’ve been a
voracious reader from my very young years so there are many, many books and
authors I love. Filtering by the list of books I re-read on a regular basis, J.R.R.
Tolkien, Elizabeth Moon, Larry Correia and John C. Wright rank up pretty
highly.
But there are always new
authors with stories out there who surprise and delight. I have a bias towards
science fiction, modern thrillers, mystery and (selectively) fantasy.
Heidi: Do VOs write query
letters? If so, did you find writing a query letter a challenge? How did you
overcome that challenge?
Jim: Not as such, at least
on ACX. I do, however, audition. In some ways it’s easier than a cover letter: there’s
no deciding what to say. I just have to decide how to say another’s
words.
For me, the hardest part is
setting aside the time to seek out and audition for the next book project I’d
like to do. It’s really just a matter of setting goals and a schedule to keep
moving forward.
After that, it’s the
waiting. With rare exception, you never hear back from the rights holder
directly; at some indeterminate time in the future, ACX gives you the polite,
“Thanks, please try again” form letter.
Another challenge is
learning not to take the rejection personally. I’ve auditioned for a lot of books I was sure I was perfect for… didn’t get the job.
Sometimes I’d really like to know why.
In the end, I may deliver a
perfectly good performance, but if the author/publisher wants a soprano, young
female voice, that’s their choice. Nothing I can do will change that.
Heidi: What makes you
choose a book to commit your voice to?
Jim: I research the book,
read as much as is available, and look for indicators it would be a good “fit”.
For example, when Vinspire offered me El Tiburon, I spent some time Googling
you, reading your blogs, reading interviews by and with you; and also
Vinspire’s website and reviews. That gave me a lot of confidence that this was
a book I’d enjoy doing and could be proud to promote.
Heidi: I know my publisher,
Vinspire, contacted you. Is that common for you?
Jim: It’s happened a
couple of times. ACX is a matchmaking service, essentially, so rights holders
can hunt for narrators, just as I search for auditions. It’s not as common as I
hope it will be some day. ☺
Heidi: What advice do you
have for an aspiring VO to be contracted by a publisher or author?
Jim: First, you don’t need
to have a special type of voice. If you can read aloud clearly, you can
potentially read an audiobook. Then do research on how to set up a home studio.
ACX themselves have a Youtube channel with many helpful videos. Don’t think you
need a huge amount of gear: your current laptop, a free copy of Audacity and a
decent large diaphragm condenser mic with appropriate interface will do you.
You can find mics that will work for $100 or less.
Establish an ACX profile
(it’s free!) and start listening to other folks’ demos, and start paying
attention to ones you like. See what you can learn. With an ACX account, you
can also apply to the ACX Narrators and Producers group on Facebook, and read
the wealth of information there.
Finally, get your gear
together and start auditioning! You can’t truly learn, except by doing. You can
also cut your teeth by volunteering with LibriVox, who record public domain
books pro bono. Again, learn by doing.
Really, that’s the hardest
part. It’s easy to get lost in always preparing to be “good enough”. There is
no such thing. Have a bias towards action, but play it for the long game… start
quickly, but don’t give up.
It’s pretty much the same
battle a new writer or any aspiring creative hopeful goes through. Just do something, then work to do something
again, just a little better next time. Keep doing, keep learning. Never assume
you’re the best, but never let “them” tell you you’re not good enough.
Budget for and plan to get
professional training at some point. That’s expensive, but it’s ultimately
worth it. I highly recommend the ACX Master Class: they really teach how
to leverage ACX; how to record well and record efficiently; and how to market
yourself on ACX. Plus there’s a great
community of ACXMC grads who are helpful and encouraging. I can’t imagine
getting to this point without them.
Link to Jim’s Fiverr gig: http://bit.ly/2acniAP
Link to Jim’s Narrator profile on ACX: http://goo.gl/DNgCty
At present Jim doesn't have a website, blog
or a facebook page for my VO work. But folks are welcome to contact him at jimfostervo@gmail.com.
Thursday, September 1, 2016
El Tiburon- Audio Book
My book, El Tiburon is officially released as an audio-book through Audible.com. If you are new to Audible, you can grab it for free by signing up with them as a first time member. Here's the link;
El Tiburon - Audible
El Tiburon - Audible
Saturday, August 20, 2016
Cordova Library's Meet the Author Event
I was invited to speak at the Rancho Cordova Public Library
about my new release, El Tiburon. I can’t tell you the last time I went to a
public library. It was actually pretty neat. The quiet hushed atmosphere, the
respect for other people’s space and concentration. My event was called “Book Talk, El Tiburon by H. Schussman,” and I was warned that five to ten people would actually show up,
mostly to eat the snacks.
Luckily for me, a fan set me up to be interviewed by the
local newspaper. Margaret Snider from the Grapevine Independent wrote a great
article about me being a local author and how people should come meet me. It worked!
I had about twenty readers show up. They asked about Guatemala, the garbage
dump, writing, and how to get published… I talked with them for a good hour and
could’ve kept going!
I was especially intrigued by a lovely couple from India who
were visiting their son in Rancho Cordova. They read the paper and decided
since they were also authors, they should come see this American author. They
were delightful, asking relevant questions and having their photo taken with
me. A week later found us sitting in
their hotel room amongst children and grandchildren eating Indian snacks and
drinking American wine. Both are doctors and opened a hospital in a small city
in Western India. They specialize in Medical Tourism. By the time we left them
(five hours later) we had promised we would come to India and stay with them. I
can still see Rajeev’s face as he held out his hands and said, “You come to
India, and we will show you the underbelly of our country!” For those of you
who know us, you won’t be surprised that this sent a shiver of excitement
through me. Visiting a nearby forest to meet an indigenous people-group and
stay in a house on top of a hospital with two lovely doctors… oh the joy of a serendipitous
meeting.
Saturday, February 27, 2016
H. Schussman interviews Felicia Bridges
H. Schussman
interviews Felicia Bridges
Heidi:
So let’s just jump and get to know
you. I’ve been looking forward to this since I heard you write adventure
fiction around the very real adventure of mission work. Having been on mission
trips myself, I know it’s fodder for great stories! What genres do you write?
Felicia:
I’m releasing my first young adult
novel this spring, but I’ve previously published a couple of non-fiction
accounts in anthologies. The novel that launches May 30, 2016, CzechMate, has
been called Action/Adventure, Suspense, and Fantasy depending on the reader’s
perspective. It’s the story of a teen missionary in Prague who must prove her
parents aren’t spies before it’s too late. It’s a little like Amy Carmichael
meets Indiana Jones with a biblical worldview. It also incorporates a touch of
romance and a healthy dose of the supernatural power of God.
Heidi:
When did you start writing?
Felicia:
I’ve been
writing since I was a young Army BRAT learning to enjoy life overseas. At age
twelve, we were deployed to Taegu, South Korea, and it was really difficult
moving to the other side of the world and trying to make friends in a very
different culture. For most of my life, I’ve written to entertain myself, or to
process and cope with circumstances, or simply because a story popped into my
head and wouldn’t leave me alone until I put it on paper. I started
writing with a goal of being published about five years ago.
Heidi:
What are you working on now?
Felicia:
I’m working on
the second book in the International Mission Force series, BoliviaKnight, which
will release December 15, 2016. The series was borne out of so many
different experiences, but it was inspired by the mission trip I took with my
daughter when she was twelve. Working with a family that served on the mission
field opened my eyes to the excitement, danger and everyday challenges they
face. I wanted to write stories that would pull people into the lives of
my characters and allow them to learn about the history, culture,
landmarks and folklore of exotic places around the world while enjoying a tale
that kept them on the edge of their seat.
Heidi:
Who is your favorite character in
your stories?
Felicia:
I don’t have a
favorite. There are aspects of each of them that I love… and some aspects I’m
not so crazy about. I hope their less-than-endearing traits help readers relate
to them, not as perfect heroes, but as sinners redeemed by grace. In the end, I
hope my readers realize that they don’t have to be perfect, and that God knows
all their flaws and loves them in all their imperfection. The heroine in
CzechMate, Nicole, is especially close to my heart because she is the first
fictional character I’ve created. She has the best characteristics of my two
daughters and I love her passion for God, even though it sometimes gets her in
trouble.
Heidi:
Do you see yourself in any of your
characters?
Felicia:
I see something
of myself in each of my characters, but none of them is just like me. Often my
heroes are the me I wish I had been at their age – courageous, steadfast,
loyal, loving, independent. Frequently their flaws are the things I find most
frustrating in myself. Exploring how my characters discover their kryptonite
and destroy it encourages me as I work through identifying and submitting
various areas of my life to God.
Heidi:
Where do you write? Describe your
workspace?
Felicia:
I should have a
really great answer about how I have a special office, decorated with artifacts
from around the world, where I play alternative music and watch the sunset as I
create stories from all these exotic places. But then you would want pictures
and I’d be found out. The truth is most of my writing is done on my laptop (now
a MacBook Air that I love) sitting on our sofa in the living room, with my feet
on the ottoman and a glass of sweet tea beside me. Frequently it also involves
tuning out the TV if my family is watching something, but I’d rather be with
them than holed up in a remote corner in perfect solitude.
Heidi:
Who are your all-time favorite authors?
Felicia:
I don’t think
I’ve ever read a book I didn’t at least like, even if it wasn’t my particular
style or preference. But I do have two authors that I absolutely love. I mean
like "fan-girl, stuttering in their presence, somebody pull me away before
I embarrass myself any more” love. The first is Jerry B. Jenkins, who was the
keynote speaker at the first writer’s conference I went to. I was giddy as a
teenage girl at a Bieber concert meeting him and have been so humbled by his
encouragement over the past six years. The second is Ted Dekker, who I
understand is the keynote speaker for the ACFW conference this fall that I’ll
be attending for the first time. Hopefully I can pull it together and act my
age when I meet him, but I’m not counting on it.
Heidi:
Did you find writing a query letter
a challenge? If so, how did you overcome it? Do you think there was a key
phrase or idea in your query letter?
Felicia:
I’ve actually
never written a query letter per se. After attending writer’s conferences for
several years, meeting with various publishers and editors and pitching my
ideas, I finally had the courage this past spring to submit a proposal in
response to requests from several publishers and Vinspire Publishing offered a
contract on the first two books in the International Mission Force series based
on that proposal. By meeting with the publishers at conference, your proposal
can bypass the normal gatekeepers. However, in today’s publishing climate, that
means you must have a completed manuscript if you’re a first time author.
Heidi:
What advice do you have for a
writer aspiring to be published?
Felicia:
I highly recommend attending
conferences, and Blue Ridge Mountains Christian Writers Conference in
particular. The opportunity to meet with agents, publishers, editors and other
writers and to learn the craft, practice pitching, find out what the publishers
are looking for in a proposal, and network to build relationships in the
industry is worth every penny. As in any creative field, talent, hard work and
determination will only take you so far if your work never finds its way to the
desk of the person who can get it published. Writer’s conferences give you the
opportunity to meet those people face to face, to make a great first impression
on them, and to share your ideas with them even before you’ve taken the time to
flesh them out completely in order to determine if the idea itself generates
any interest. If you have what you believe to be the next great American novel,
but everyone you present it to thinks the idea is cliché, boring or
offensive, you can save yourself a lot of heartache and time by moving on to
the next great idea.
Heidi:
Would you like to acknowledge
someone for their help/assistance/faith in you/etc?
Felicia:
Absolutely! The
most important acknowledgment is to God for his grace in saving me when I was
eleven and for drawing me back to himself when I had wandered away. Any words
you read that I’ve written that are good and pure and true have come from Him.
Anything that falls flat is where I stepped in. I thank Vinspire Publishing and
Dawn Carrington, in particular, for believing in the International Mission
Force series and taking a chance on a new writer like me, and my agent, Julie
Gwinn, for her encouragement, wisdom and patience! I thank my family for their encouragement,
patience with all the time when I was in the room, but was actually thousands
of miles away, and their unconditional love. And a very special thank you to my
friend and writing buddy, Daphne, who wrangled me in to going to a writer’s
conference the first time and has been my personal cheerleader ever since.
Ways to connect with Felicia Bridges:
Adventures that Inspire Action
Monday, February 15, 2016
H. Schussman Interviews Ronovan Hester
I’ve
been looking forward to this interview, Ronovan. Your constant help to new
aspiring authors has earned you a place among the leaders in the literary
world. It’s a pleasure to interview such a great guy, but I have to say… You
are so normal and approachable. All of us are forever in your debt and are
looking forward to getting to know you a little better.
So,
let’s get started:
Heidi:
What
genre do you write?
Ronovan:
Historical
Fiction seems to be my natural leaning. Although, I have been working on a
Southern Contemporary Romance for a while now. For the most part history finds
its way into my thoughts. I have several manuscripts that deal with something
to do with the past.
Heidi:
When
did you start writing?
Ronovan:
I
guess it's been at least 20 years now, but the real sit down and do it part has
been the last few years. That's when I began to pay more attention the craft of
writing itself, in how to tell a story the right way.
Heidi:
What
are you working on now?
Ronovan:
I'm
working on the Southern Romance I mentioned. I also have a YA Historical
Adventure I go to when my brain needs a rest from the Romance. The YA book is
one I wrote in the present but it's gone back and forth between past and
present in the idea stages. The manuscript is complete in the present version
but I want to change it.
Heidi:
Who is
your favorite character in your stories?
Ronovan:
In the
book I just released, Amber Wake: Gabriel Falling, Captain Gabriel Wallace is
my favorite for various reasons. I also like a character named Gimby, he's the
helmsman for Wallace's ship and has a matter of fact way about him people can't
help but like.
Heidi:
Do you
see yourself in any of your characters?
Ronovan:
I put
a lot of me into Wallace. I have a co-author, PS Bartlett, so she took some of
me out of there when she added her details, but that's fine. The core of
Wallace is still me for the most part. I don't think you can write convincingly
unless you tap into some deep hidden part of you when you write the antagonist
in a story. We all have those moments of utter dislike and frustration we can
channel.
Heidi:
Where
do you write? Describe your workspace?
Ronovan:
I
write in my bedroom. Having some medical issues I tend to spend time in as
quiet a place as I can. I suffer from migraines that don't stop, just vary in
degree. They are present 24/7. Writing helps a little. I get the ideas that run
through my head during those sleepless moments down on paper. It's one reason I
can write as much and as fast as I do.
Heidi:
What
was it like to be a co-author? Did you have to consult regularly with P.S.
Bartlett regarding the story, or were you given a free reign?
Ronovan:
I had
free reign writing the first draft. Then I past it over to her to add her
touches and adjust here and there to match up with her future stories and ideas
in a series she is writing that involves a couple of the characters. She would
at times ask me about Wallace or other characters while she was writing her
current trilogy to get some details she could use. I would only advise
co-authoring if you work together through the process in outlining and getting
the ideas down for direction and character basics. It will save a lot of pain
and agony later.
Heidi:
Why
did P.S. Bartlett choose you to write the prequel to her pirate series?
Ronovan:
After
reviewing her book The Blue Diamond: The Razor's Edge, and then interviewing
her, we became friends and talked a lot. We both felt her book deserved more
attention than it was getting and I saw the world she had created as being
filled with potential. The idea of a prequel series of how Ivory Shepard, her
main character, became a pirate captain. At the same time the idea of the
sequel to Blue Diamond was discussed with only a couple of basics thought of at
the time. One character came up that had red hair, blue eyes, and would be the
influence for Ivory in her pirate development. We thought we could get a lot
more done if we both wrote. She worked on the trilogy, and I Amber Wake. From
the physical description of a man named Rasmus, I created Captain Gabriel
Wallace of the Royal Navy and the rest of the characters in the book. Only one
character appears that came from any other stories already written. I thought
the appearance of Ivory's love interest in The Blue Diamond would be a nice
addition, and an awkward situation in the future.
Heidi:
What
advice do you have for a writer aspiring to be published?
Ronovan:
Take
your time and find your voice. Do that by trying to write different genres
outside your comfort zone and you might be surprised at what you can write.
Listen to those who have made it in the business. And know there is more than
one way to get where you want to go. I never expected to co-author a book with
anyone, and never a Historical Adventure involving some pirates. Although Amber
Wake is not exactly a pirate novel. It's more of a war against an enemy novel.
Heidi:
Would
you like to acknowledge someone for their help/ assistance/faith in you/etc?
Ronovan:
Pretty
much all of those that follow me on my blog RonovanWrites have been
encouraging. Florence Thum, a law professor in Australia has been a big
supporter and honest. She doesn't pull punches. The beta-readers of the book,
Colleen Chesebro and author Annette Rochelle Aben have been great. I recently connected
with a writing mentor of sorts in Claire Fullerton who is guiding me along the
way in suggestions. It's an informal thing, but I enjoy her writing and I would
like to capture that feel in my Southern Romance, and she's southern like I am.
We ended up having more things in common than we realized. And oddly my cat
Spunky. When you need those quiet times to get away from the pain of writing
and the world, it's nice to have something that is amusing and will just enjoy
being with you. Spunky has appeared on my blog as well as a friend's blog and
is kind of popular. For a guy with constant noise in his head from a concussion
he suffered over 2 years ago, a quiet friend like Spunky is a blessing.
Here
are some easy ways to purchase Amber Wake, Gabriel Falling.
You may connect with Ronovan through:
Sunday, February 14, 2016
Amber Wake, Gabriel Falling by Ronovan Hester, co-author P.S. Bartlett
Review by H. Schussman
I received a copy of this book in exchange for a fair and
honest review.
Reader’s Point of View:
This prequel is written to explain an enigmatic pirate, Captain
Rasmus Bergman, found in a series written by P.S. Bartlett. Author Ronovan Hester
was selected by P.S. Bartlett to go back in time to develop the character of
this fierce, yet protective man.
Set in the early 1700’s, Hester uses a very
formal Old English dialogue and non-dialogue language style. The historical
descriptions are done smoothly, and flow nicely without being to “teachy”.
A word of advice is to settle into the language as quickly as
possible. It was a bit of a stumbling block for me, as I tried to mentally get
the long slow phraseology to catch up with the fast scenes. Hester seems to
settle into a great story-telling groove after the third chapter. After that I was
along for the ride.
If you’ve read the other three in this female pirate series,
you will be hungry for the story of Rasmus. If you haven’t read any of them you
will find yourself wanting to find out what happens next. This is the making of
a pirate! How did this noble (albeit bad-tempered) man become one of the most
feared pirates in the Caribbean Sea?
It’s a little confusing, but I believe P.S. Bartlett wrote
Blue Diamond first and it was a major hit. The novella, Ivory Dawn was written
to give history on Ivory. Amber Wake, Gabriel Falling is the story of Rasmus. Demons
and Pearls is how those two met, Jaded Tides is the second book regarding the
duo. Oddly enough, Blue Diamond has a different pirate in Ivory’s life, Captain
Maddox Carbonale. Hester also develops this man’s character from the main
character’s POV.
According to Bartlett she wrote them backwards because she was
curious about how they came to be the fierce pirates they are in Blue Diamond.
Not having read anything but Amber Wake, I wouldn’t know how well she pulls all
of that off, but I do like Hester’s development of Rasmus Bergman from his male
point of view.
Writer’s POV:
As stated above, the language is Old English and a bit stiff
at the start. I don’t know if I warmed up or if Ronovan Hester warmed up, but
it flowed through my mind smoother after a couple of chapters.
In Amber Wake, Gabriel Falling, Hester takes on the challenge
of writing first person and steers clear of some of the pit-falls of that
style. He doesn’t describe what is happening behind him or on another boat. As a
reader, you only know what Captain Rasmus Bergman knows, which is critical in
first-person writing.
Another challenge is developing a character from someone else’s
series. Hester takes this in stride and creates a back-story to explain the
famous pirate. He includes history of what could explain Rasmus’ high moral
standards (for a pirate) and his upper class education. At times the internal
and external dialogue, and the actions seemed at odds, but it didn’t stop me
from reading.
This is the first I’ve read of The Razor's Adventures Pirate
Tales. It would be entertaining to get readers together, who read these books
in different order, and see if we each have a favorite character based on which
book we read first.
So in conclusion; Ivory Dawn, Amber Wake, Demons and Pearls,
and Jaded Tides are all prequels to The Blue Diamond. Unlike Ivory Dawn, Amber
Wake is a stand-alone novel, but barely.
Amber Wake, Gabriel Falling is available at Amazon
Amber Wake, Gabriel Falling is available at Amazon
Sunday, January 3, 2016
H. Schussman interviews Janis Susan May (also known as Janis Patterson)
Heidi:
First, Janis Susan May (who also writes
as Janis Patterson), tell us a little
about yourself?
Janis
Susan May:
You
asked for some information about me… there’s not much to tell, as I’m really
quite ordinary. I’m a seventh-generation Texan and a third generation
wordsmith. I sold my first novel in 1979 and since then have been published in
just about every format except for scratching on stone, and I’m up for that if
the contract is good enough. I am one of the original 40 or so women who
founded RWA in 1980 and am still a Charter Member. Currently I am the Texas
representative to the Southwest Region of Mystery Writers of America and am a
long-time member of Sisters in Crime, NINC and the Authors Guild, as well as
several RWA chapters. I founded and published the Newsletter (now titled
Menhedj) for the North Texas Chapter of the American Research Center in Egypt,
which for the nine years of my reign was the only monthly publication for ARCE
in the world. I also got it archived in museums and universities as a scholarly
publication. I have worked as a talent agent, a jewelry designer, an actress
and singer, an advertising agent, a Supervisor of Accessioning in a bio-genetic
DNA testing lab, a document checker in a cruise agency, and several other
things. Yes, I do bore very easily.
I
married for the first time at 54, after this wonderful Navy Captain (who is a
number of years younger than I) proposed in the moonlit garden of the Mena
Hotel across the street from the Pyramids. Yes, those Pyramids. I am a shooting enthusiast
and a gun rights activist. English is my native tongue, but I am reasonably
capable in Spanish and can speak some Italian, French and Arabic. Now I am
self-publishing my books, as it is much less stressful than dealing with
traditional publishers. I began my self-publishing career in 2014 after getting
back the rights to all the books I would ever get back, and in an insane blitz
brought them all and two new ones out, one every two weeks from 1 June to 31
October, each freshly edited and with a brand new cover. In March 2015 The
Husband and I were invited to come stay in the dig house at the archaeological
excavations at El Kab, Egypt – and civilians are never invited to dig houses! –
in order to research a book. It took getting permissions from three Egyptian
governmental agencies to be allowed to stay. That book, A KILLING AT EL KAB, is
scheduled to be released in March 2016, exactly one year after our visit.
Now I am writing on four projects – a murder mystery, two contemporary Gothic
romances and the first book of a mystery series about a contract archaeologist.
And that’s about it.
Heidi:
Well, you are anything but ordinary, Janis Susan
May. What genre do you write?
Janis
Susan May:
Perhaps
a better question might be ‘what genre do you not write?’ The problem is, I bore very
easily, and the idea of writing every book in the same style and/or genre
appalls me. So, to answer your question, I write romance and horror as Janis
Susan May, light mystery as Janis Patterson, children's as Janis Susan Patterson
and scholarly and non-fiction as J.S.M. Patterson. I really can’t spread out
into any other genres, because I’ve run out of permutations of my
name!
Heidi:
When did you start writing?
Janis
Susan May:
I
wrote my first ‘book’ when I was four, hand printed and illustrated on typing
paper and, as Daddy had explained that a stitched binding was superior to glued
or saddle-stapled, sewn together with Mother’s sewing thread. It was, as I
remember, about a group of schoolchildren led by a heroic little girl who
capture a lion escaped from the zoo before going home to dinner. Needless to
say, it was not one of the backlist books I brought out in my 2014
self-publishing blitz! Seriously, I began working in my parents’ advertising
agency when I was nine, and was promoted to writing copy when I was around
twelve or thirteen. After graduating high school (I have no college degree) I
began writing magazine articles and free-lancing while I tried different jobs.
I sold my first book – WHERE SHADOWS LINGER, a romantic suspense – to Dell in
1979. It is also not one of the books I self-published; although I do have the
rights back it now resides metaphorically ‘under the bed’ and will stay there!
Heidi:
What are you working on now?
Janis
Susan May:
I’m
just finishing a light mystery called THE NURSING HOME MURDERS (projected
release date April 2016), though that title might change. MURDER AND MISS
WRIGHT (projected release date February 2016), a light mystery, has just come
back for the editor and I’m putting in the front and back matter so it will be
able to go to the formatter soon. I’m getting ready to do the final run-through
on THE MASTER OF MORECOME HALL (projected release date April 2016), a
contemporary Gothic romance to get it ready to go to my beta readers. I’m also
getting ready to do the final run-through on A KILLING AT EL KAB (projected
release date March 2016), after which it will go back to my beta readers and my
advisory committee, and from thence to the editor. Hopefully it will be ready
for publication in March, 2016. I’ve done the first half-dozen chapters of A
KILLING AT TARA TWO (projected release Fall 2016), the first in my mystery
series about a contract archaeologist who works all over the world, and have
worked out skeleton ideas for the next three books. I’m just getting started on
an as yet untitled short Gothic romance set in Texas for an upcoming anthology;
this will be real work, for as you can tell from this interview I do not write
short easily. Sounds confusing, but it’s the way I work; I never have less than
four and usually more projects going. Did I mention that I bore easily?
Heidi:
Who is your favorite character in your stories?
Janis
Susan May:
Usually
the protagonist of the book I’m currently working on. I’m just finishing up a
light mystery called THE NURSING HOME MURDERS. I don’t say cozy, because
there’s no cooking, no crafts, no shoe fetish and no intelligent talking
animals, which currently seem to define ‘cozy.’ The heroine is Flora Melkiot,
the elderly widow of a very wealthy jeweler; she is autocratic, sublimely
self-confident, determined and totally disrespectful of any authority or rules
not of her own making – sort of the dark side of Miss Marple. I not only like
her, I would kind of like to grow up and be her. On the other hand, when I was
working on A KILLING AT EL KAB I resonated to Sandra Caulder – a phony stage
psychic on the run from her Russian gangster lover. She is beaten and
overwhelmed by life and refuses to accept that she just might have some real
psychic abilities. And when I was writing THE EGYPTIAN FILE my heart belonged
to Melissa Warrender – an art historian and gallery owner tossed into a totally
unfamiliar milieu when she has to go on the run from assorted thugs in Egypt
after retrieving a file left by her late father, who telephoned telling her to
get it. The odd thing was that he called two months after his funeral. Lily
Wright in MURDER AND MISS WRIGHT engaged my attentions deeply enough to
consider doing a series about her; I still may. In THE MASTER OF MORECOMBE
HALL, it was Emma Morecombe, the spunky American wife of an aristocratic English
landowner who still loved him even after she fled their stately home in fear of
her life. I firmly believe that the main character of your current project
should be your favorite character – at least until the book is finished. If you
don’t care about your characters, who will?
Heidi:
Do you see yourself in any of your characters?
Janis
Susan May:
I
can’t answer that question. I do believe that a writer unconsciously puts a
piece of herself, however small, into every character, but to recognize that piece
is beyond me. My characters are simply themselves. Some parts of
characters and real people are identical, but to assign specific
characteristics to specific people just doesn’t work for me. Also, I don’t like
the practice of basing characters on actual people. Characters should be their
own person and not a simulacra of an existing person. That’s not creative and
it is unfair to the story.
Heidi:
Where do you write? Describe your workplace.
Janis
Susan May:
Normally
my ‘office’ is a small desk set against the wall in our guest room, but right
now I am revamping it – changing out some of the guest room furniture, going
through boxes that have been stored in the closet forever, that sort of thing.
The resulting tumult makes working there impossible, so for the last couple of
months I have been working at a big antique wooden desk in our den. As the
television is also in there, I constantly fight the temptation to watch it –
especially as one of our local channels has been running two back-to-back Jessica
Fletcher episodes every weekday! However, the work is getting done. Our den is
huge and is actually four rooms in one – the old library (the first one in the
house – we now have three), the dining room, the tv/den area and a large
sunroom. Our animals – two very neurotic cats and a spoilt, prissy little dog –
also run free in here during the day and they are always a distraction. I can
and have written just about anywhere you can think of, from the car when we’re
traveling, to sitting in the pickup out in the back of beyond when The Husband
goes to a rocket meet or a rockhounding expedition, to the dining table of the
flat we rented in Luxor this spring, to any number of airports and hotel rooms.
Heidi:
Who is/are your all-time favorite author/s?
Janis
Susan May:
Simple
– Barbara Michaels and Elizabeth Peters, who were both the magnificent
Egyptologist Dr. Barbara Mertz. If I could be even half as good as she I would
be over the moon happy. One of the most spectacular days in my life was when a
respected reviewer said ‘if you like Elizabeth Peters you will like Janis Susan
May’s THE EGYPTIAN FILE.’ My feet didn’t touch ground for days. Even better was
that I was fortunate enough to have Barbara as a friend. Oddly enough, we met
not through writing, but through our interest in Egyptology. It was at a the
yearly international conference for the American Research Center in Egypt many
years ago and we hit it off then, staying in touch until her death in 2013. In
June 2015 I was honored to be invited to present a paper on “Egyptology and
Elizabeth Peters” at the Historical Novel Society conference in Denver.
Heidi:
Did you find writing a query letter a challenge? If
so, how did you overcome it? Do you think there was a key phrase or idea in
your query letter?
Janis
Susan May:
The
only thing I detest more than a query letter is a synopsis, and the best thing
about self-publishing is that I don’t have to waste time with either. My
stories are complex and it hurts to pare them down to a few sentences, which to
my mind takes all the life out of them. I began my career in the late 70s, when
for a serious writer there was only traditional publishing and self-publishing
was regarded as vanity publishing and the kiss of death for a career. Then you
did all your contacts by snail mail – no internet at all, at least not for the
general populace – and every book had to have both a query letter and a
synopsis. I assume they still do in traditional publishing. I would rather
write a full novel than a synopsis. As for key phrases, I have no idea. I just
did the best I could. I always wanted to write a very simple query letter –
“Buy my book or I will bomb your car.” In those days it was funny; now it most
definitely isn’t. I’m just glad I don’t have to deal with either a synopsis or
query letter today.
Heidi:
What advice do you have for a writer aspiring to be
published?
Janis
Susan May:
Read.
Write. Read some more. Write some more. Repeat forever, even after publication.
Heidi:
What is your latest release?
Janis
Susan May:
CURSE
OF THE EXILE, (which you reviewed on this blog) a traditional Gothic romance
set in 1860s Scotland which has been compared to the works of those Gothic
icons, Victoria Holt and Virginia Coffman. Angelina Barstow is a spunky but
proper young woman who shocks society by working as an assistant to her
feckless, womanizing, librarian father. They are hired to catalogue the library
of Sir Nairn MacTaggert in a remote Scottish castle. There is a handsome
younger brother, an unknown enemy, a vengeful former suitor and a ghost that
might not be a ghost. It was great fun to write. And, as you have probably
noticed, I much prefer writing books to publishing them. That’s why so many are
set to come out early in 2016!
Heidi:
Would you like to acknowledge someone for their
help/assistance/faith in you/etc.?
Janis
Susan May:
Most
definitely. No one writes a book in a vacuum. I have been blessed to have
wonderful beta readers and superb technical advisers, a fantastic editor (Laree Bryant) and a marvelous cover artist (Dawn Charles of Bookgraphics). Mostly
though, I thank my parents and my husband. My parents were both ‘word’ people
and from the beginning they supported and encouraged my writing. They are both
gone now, and I miss their encouragement and advice to this day. They and my
wonderful husband have been truly my greatest blessings. The Husband is a
‘science’ person and I think the writer part of me simply baffled him. Probably
it still does, but he is incredibly supportive even though to this day I don’t
think he truly understands what I do. He is, however, gradually taking over
some of the mechanics of my self-publishing – doing publicity, etc. He also
listens patiently as I work to construct the skeleton of a plot and acts as my
armaments advisor even though he doubtlessly thinks I am reality-challenged.
Which I am.
...always a good story!
...committing crime with style!
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